From Vice/ By Molly Crabapple
George Orwell’s 1984 opens with Winston Smith carving out a pocket of privacy by crouching in a corner of his apartment where the telescreen—and thus Big Brother—can’t see and writing a diary entry. These days, that Stalin-inspired nightmare seems quaint.
We carry our personal telescreens around with us, and take it for granted that if someone wants to watch us, they can.There is nowhere to hide, even in the Hong Kong hotel room where Laura Poitras filmed Edward Snowden talking to Glenn Greenwald about the revelations about the NSA the whistleblower unleashed on the world. At one point in Citizenfour, Poitras’s film about the surveillance state and Snowden, an impatient Snowden yanks the hotel phone’s plug from the wall. All VoIP phones can be bugged, he explains, tossing away the cord. The NSA could know what he ordered from room service.
Much of Citizenfour was shot over the eight days that Poitras and Greenwald spent with Snowden. In contrast to the gray poverty of 1984‘s Oceania, the documentary’s dystopian setting is sleekly modern. Poitras shoots NSA data centers, Occupy Wall Street privacy training sessions, and the posh no-placeness of the business-class hotel. Snowden proves what the two journalists already suspected and, thanks to him, we all now know: The US government is spying on everyone. He then trains them in the cumbersome feints with which they might evade its gaze. (more…)